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Suvi Ahola

Suvi Katariina Ahola
Born May 5, 1959, Sippola

BA 1983 (Finno-Ugric Linguistics), MA 1987 and PhD 2013 (Finnish Literature), University of Helsinki
Journalist 1983, Sanoma Ltd. Journalist School

Journalist 1984-, Helsingin Sanomat daily newspaper
Copy editor 1994–1995, Kodin Kuvalehti magazine
Author 1999-

Judge for the J. K. Erkko First Book Prize 1984–1994
Judge for Helsingin Sanomat’s Literary Prize 1995–2010, 2013
Finnish Institute in Estonia board member 1997–2005, vice chair 2001–2005
Institute for the Languages of Finland advisory committee member 2004–2010
Minna Canth Society board member 2005-, vice chair 2006–2012, chair 2012-
Tuglas Society board member 2008–2014
Deputy employee representative in the shipping department of Sanoma Magazines Finland 2013-
Union of Journalists in Finland council member 2014-

Written by Riitta-Ilona Hurmerinta
Translated by Joe McVeigh

Curiosity is a virtue

At the Helsingin Sanomat newspaper, just as in other papers, journalists work in shifts. News work is fast-paced and these days it is done online. Journalist Suvi Ahola keeps changing work assignments.

– On the news shift I wrote short pieces in addition to longer texts. In that shift your own ideas on the basic stories must be prepared in advance. The focus is on current affairs and fast production.

According to Ahola, a culture journalist has excellent opportunities to write articles based on their own ideas at a little calmer pace.

– Curiosity about life and the world continues to generate new ideas for stories. Just thinking about and developing them can guide my work very much.

Ahola notes that curiosity is the most important attribute for a journalist. Many other tasks related to journalism can be learned on the job.

– If there is no curiosity then this job is difficult. It means that there’s little to no interest in things. A journalist must take a wide view with which, if they can’t identify with something, they can at least in some way locate many people’s positions and see things from different perspectives.

The world’s move to the internet has quickly changed things, especially in the media industry. The reading experience is different between the paper and the online versions. When reading the paper version, the reader is forced to take in every spread and see stories which would not necessarily be read while clicking through online headlines. The internet also calls for journalists to write in a different style.

– The people who taught me how to write articles have started to go away as the paper version’s readership drops. The online versions of newspapers may be read by a slightly different kind of people. I want to develop my skills and learn how to write for this “new” media as well as possible.

There is not really a difference between work and free-time for journalists, and especially not for culture journalists.

– It’s a self-evident fact that interesting things about culture are going around the mind of a culture journalist at all times. You get accustomed to it, even if it is slightly more exhausting when you’re older than when you’re young. These days I am into theatre and music more. Of course, I still read a lot in my free time. I feel that my work continues to be extremely interesting.

The pre-panel of judges for the 1985 Finlandia Prize sitting in front of their work: (from left) Eila Pennanen, Ingmar Svedberg, Maila-Katariina Tuominen-Vakkari, Suvi Ahola and Hannes Sihvo. Picture: Finnish Book Foundation.​​
The pre-panel of judges for the 1985 Finlandia Prize sitting in front of their work: (from left) Eila Pennanen, Ingmar Svedberg, Maila-Katariina Tuominen-Vakkari, Suvi Ahola and Hannes Sihvo. Picture: Finnish Book Foundation.​​
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