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Pekka Tarkka

Pekka Sakari Tarkka
Born December 4, 1934, Helsinki

MA 1964 (Aesthetics and Contemporary Literature), PhD 1978 (Finnish Literature), University of Helsinki

Literary journalist and critic at  Helsingin Sanomat 1958–1961, 1969–79, 1989–99, and  Uusi Suomi newspaper 1961–67
Assistant Arts Editor at Helsingin Sanomat  1979–84, Arts Editor 1984–89
Assistant in Finnish Literature at the University of Helsinki 1969–76, docent 1978–85
Lecturer, Finnish Literature, School of Slavonic and East European Studies, University of London 1980–81

Awards
State Prize for Art 2010
Finland Prize 1996
Tatu Vaaskivi Award 1978
State Translator Prize 1973

Photo: Hanna Tarkka
Written by Pekka Tarkka (Tomas Sjöblom, ed.)
Translated by Joe McVeigh

The University and the Newspaper

As a cultural journalist at a newspaper, I aspired to maintain my contacts at the university. Academic expertise was long valued at Uusi Suomi, but the political conflicts of the 1960s stifled collaboration.

The most egregious incident was the rejection of an article written by Georg Henrik von Wright on the Vietnam War. I was already working on a translation when the editor told me that the views of the world-renowned philosopher were incompatible with the political stance of Uusi Suomi. I resigned from the paper. The atmosphere was freer at Helsingin Sanomat. I looked for assistants who had an academic background and knew how to write.

The farewell party for Risto Hannula at Uusi Suomi in 1967. Pekka Tarkka resigned from the paper around the same time because of his opposition to its conservative policy. Pictured from the left are Risto Hannula, Tuula Ikonen, Aila Poukkula, Katarina Eskola and Pekka Tarkka. Photo from Pekka Tarkka’s home archive.

Lately there have been some cracks in relations between universities and newspapers. In my view both are partly to blame. When researchers concentrate on seeking recognition within the academic community, their desire to participate in sharing knowledge on a wider scale diminishes. At the same time the press faces financial difficulties and is trying to survive by focusing on popular culture.

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