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Mika Huovinen

Mika Ensio Huovinen
Born 1969, Sipoo

MA 1996 (Finnish and Scandinavian History), University of Helsinki

CEO of Graaf, 2006-
Freelance graphic designer, 2003–2006
Photo editor, layout artist, graphic designer at Edita Publishing Ltd., 1996–2002
Design and editing of the Sodankylä Film Festival programme book, 1995–1996
Archive work for the Society of Swedish Literature in Finland, 1990–1993
Member of the Board of Directors on the Helsinki Society, 2003–2009
Secretary of the Swedish Historical Society in Finland, 1996–1997
Chair of the University of Helsinki subject organisation Historicus, 1992

Publications
‘Runebergs två hem’ (‘Runeberg’s two homes’) article for Matti Klinge’s 60th Festschrift, 1996
‘Hundra år i Träskolan’ (‘One hundred years of Träskolan’) history book, 1996
‘Kerhosta edunvalvojaksi – Vantaan Invalidit ry 1970–1995’ (‘From a club to a caretaker – Vantaa Disabled Association 1970–1995’) history book, 1995
‘Vilken funktion har Runebergskulten?’ (‘What is the function of the Runeberg cult?’) article, Hufvudstadsbladet newspaper, February 5, 1994
‘Den tredje faran: Kvinnor’ (‘The third danger: Women’) article, Studentbladet issue 12 (1993)
Editor-in-chief of the subject organisation paper Papyruksen, 1990–1991

Awards
State Award for Public Information for the reference book Kalevalan kulttuurihistoria (‘The cultural history of the Kalevala’), for which I did the layout, 2009
Finnish Association of Non-fiction Writer’s Book of the Year Award for the textbook Odysseia – matka filosofiaan (‘The Odyssey – Journey into philosophy’), for which I did photo editing, 2001
Student Union of the University of Helsinki’s Award for the Best Subject Organisation, 1991

Photo: Jouko Keski-Säntti
Written by Mika Huovinen (Kaija Hartikainen, ed.)
Translated by
Joe McVeigh

Starting a business with a baby in tow

After spending seven years working at a non-fiction publishing house, I went on one year’s parental leave to take care of my 9-month-old daughter. I felt I had learned all the essentials of my work in photojournalism, and I needed new experiences. At the beginning of my year of leave, a couple of colleagues contacted me and asked if I had time to do freelance layout design on the side. I still had a permanent employment contract, so I checked this out with my employer’s lawyer, who encouraged me to start my own business. Me, a humanities graduate, as an entrepreneur? Would I sell my soul to big capital and become a baron of industry? The general feeling towards entrepreneurship and economics at the Department of History had been, if not outright hostile, at least rather indifferent. On the other hand, my wife, who is an economist, encouraged me to give it a try.

My first steps as an entrepreneur were none too grand: our little two-room flat in Alppila had an alcove where our baby slept. When my wife came home from work, I would shut myself away there to work on the layout of books. Late at night, little Julia and I would switch places and the cradle was lifted back into the alcove. Within a year I already had my own office in a bigger apartment, and when we got more kids, who constantly disconnected the computer leads, I rented my first office. At that point I already had so much design and layout work that I hired an assistant. Without even noticing it, I started referring to my company in the plural: “we at Graaf, and so on.”

Now our firm has been a limited company for 12 years already and has had over a dozen employees doing various tasks. Our office is in the Helsinki Suburb of Etu-Töölö, and we receive about 200 commissions a year. I’m very proud of our team, we know what we’re doing and have experience in most areas of graphic design. My own job description, shaped by my university and publishing house past, is to be team leader and combine the talents of different actors, as I have experience in writing, editing and layout design. I’ve learned that as an entrepreneur you don’t have to know everything. Instead what is a must is a wide network of people, so you always have a friend to call when in need. The University of Helsinki played an important role in creating that network.

Photo: Graaf’s photo archive.

 

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