Mikko Myllykoski
Humanist of the day

Mikko Myllykoski

Mikko Myllykoski got the job of Experience Director at the Heureka Science Centre almost without knowing it. During his student days, studies in history, Latin, and Roman literature as well as Classical archaeology led him to write histories and design exhibitions for the University’s 350th anniversary celebration. In his doctoral dissertation, which he is in the course of completing, he examines the medium of exhibitions as radical social innovators.

Mikko Myllykoski

Mikko Markus Myllykoski
Born December 25, 1963, Vammala

Bachelor of arts 1993, Master of Arts 1998 (general history), University of Helsinki
Doctoral student of art history 2012–, University of Helsinki

Experience Director 2002–, Heureka Science Centre
Head of design 1999–2002, senior designer 1994–99 and designer 1990–94, Heureka Science Centre
University of Helsinki history project research assistant 1990

President of the Finnish Association of Science Editors and Journalists (FASEJ) 2015–
President of the Società Dante Alighieri (comitato di Helsinki) 2008–12
President of the Finnish Inter Press Service 1994–2000

Research themes:
Travel-literature themed Master’s thesis on Mrs Alec Tweedie’s 1896 Finnish travelogue
Doctoral dissertation (in progress) on the exhibition Dialogue in the Dark as a radical social innovator

Awards:
State Award for Public Information for the exhibition Nordic Explorers 1997 (together with Jouko Koskinen)

Recognition for Heureka Science Centre exhibitions:
Employer of the month award from the Ministry of Labour for recruiting 45 visually-impaired guides for the exhibition Dialogue in the Dark

Association of Finnish Aviation Journalists Follow Me award for the exhibition Flight! 2003

Association of Science and Technology Centers’ Roy L.Shafer Leading Edge Award for Visitor Experience for the exhibition Heureka Goes Crazy 2014

Photo: Pinja Myllykoski
Written by
Mikko Myllykoski (Riitta-Ilona Hurmerinta ed.)
Translated by Matthew Billington

What enticed me to study history was my experience of the five history teachers I had at grammar school, each of them inspiring in their own way. The first one was a Marxist, the second a dyed-in-the-wool patriot, the third emphatically unassuming and the fourth taught passionately, with her whole body – the fifth lectured in a kind of university style. What they all shared was an unashamed love of their subject. And since my Latin teacher was as inspiring as all the above mentioned put together, I also added Latin and Roman literature to my curriculum.

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“A humanities scholar has no career – or at least no career plans,” was the motto of my generation of students, inspired by the Humboldtian educational ideal. But with the benefit of hindsight, my orientation into my career seems almost premeditated. I took advantage of intriguing offers of temporary jobs and gained practical experience in digging into archives, interview studies, and the importance of keeping schedules.

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Creating the Jukola – Jakomäki – Brussels, Finland 75 Years exhibition in the Heureka Science Centre was an empowering project. Never before had history been presented in an interactive exhibition in Finland, and examples abroad were also few and far between. We knew no precedents, no restrictions. The founders of Heureka had fortunately defined the scope of the science centre with the Finnish term 'tiede' and the Swedish 'vetenskap' in mind, i.e., to cover all academic fields rather than merely science, the hard sciences.

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My interest in the history of Antiquity and the Latin language blossomed into a love of Mediterranean culture and especially of Italy. At the beginning of my studies, I majored in Classical Antiquity, and I took two courses at the Finnish Institute in Rome, one short and one a whole semester long.

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Science is international. Following the principle of open access to science, even the ideas of science centres are disseminated globally. The founders of Heureka were following both European and North American examples, but when they decided a Finnish science centre must also produce exhibitions of its own they ensured that Heureka would also make its own significant international contribution. When Heureka was opened in 1989, there were about 400 science centres around the world, today they are approximately 3000.

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A historian lives in a world of text, but the picture predates writing, and even a baby will communicate with faces and gestures before learning to speak. Studying, interpreting and making pictures have always fascinated me, even though they have never played a central part in my life. The photography hobby of my youth, watching endless motion pictures at the Finnish Film Archive, my picture editing jobs, and producing the Kronikka periodical provided me with the joys of visual appreciation during my studies.

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I once took part in a post-doctoral party where the (successful) doctoral candidate, in a traditional speech to all the senior scholars and friends who had contributed to his work, thanked me for helping him understand the significance of the useless in life. I considered this a great honour. I…

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