Leevi Haapala
Humanist of the day

Leevi Haapala

Leevi Haapala began as director of Kiasma in 2015, but he had already worked in various roles at the Museum of Contemporary Art for 20 years. Dr Haapala, who completed his PhD in art history, also held the post, for one year, of Professor of Praxis at the University of the Arts. Here, Dr Haapala explains modern art and the role of Kiasma and offers a sneak preview of the themes of the forthcoming ARS17 exhibition.

Leevi Haapala

Born September 24, 1972, Keuruu

Master of Arts (art history, museology, cultural history) 1997, University of Turku
PhD (art history) 2012, University of Helsinki

Museum Director 2015–, Kiasma Museum of Contemporary Art
Professor of Praxis 2014–15, Academy of Fine Arts/University of the Arts
Acting Chief Curator of Collections, amanuensis and member of the acquisitions committee 2007–2014, Kiasma Museum of Contemporary Art
Researcher 1997–2007, Central Art Archives/ Finnish National Gallery
Civilian national service 1994–95, Museum of Contemporary Art

Jury member for the Ars Fennica Award 2015–
Board member of the Kiasma Foundation 2015–
Board member of the Pro Arte Foundation and member of the working group for the IHME Contemporary Art Festival 2008–15
Member of the expert group for Young Artist of the Year, Tampere Art Museum 2012­–15

Photo: National Gallery/Pirje Mykkänen
Written by Olli Siitonen

Translated by Matthew Billington

The journey of Dr Leevi Haapala to the helm of Kiasma is a modern retelling of the traditional apprenticeship. He first came to the Museum of Contemporary Art in 1994 as a non-military serviceman to work on the ARS95 exhibition. Thereafter, Dr Haapala worked for the Finnish National Gallery for two decades as assistant, researcher, curator, and acting chief curator. His journey to the director's post has involved several stages that have given him insights into the many parts of a living museum.

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Leevi Haapala was appointed curator of #FocusFinland, the Finnish programme at the ARCOmadrid 2014 art fair in Madrid. Finland was the focus country of the fair, and it is still the most extensive export project ever undertaken for Finnish art. Several of the most notable art galleries in Finland and more than 20 artists were represented.

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Under the aegis of Ms Pirkko Siitari, who was director of Kiasma until spring 2015, the museum’s exhibition programme was essentially planned through to the end of 2016. Dr Leevi Haapala tells us they are now working on the forthcoming ARS17 exhibition as well as on further exhibitions and themes for the coming years. Autumn 2015 holds a strong flavour of politics and social issues. In addition to School of Disobedience by Jani Leinonen, in October Demonstrating Minds, an exhibition of dissenting voices in contemporary art, was opened.

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Dr Leevi Haapala says his job and his free time are inextricably linked. The Director of the Museum of Contemporary Art must represent his museum and attend assorted cultural events. “I rather think of what I used to enjoy doing in my free time. We just got our wooden boat into dry dock for the winter, so there's one worry dealt with.”

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In 2014, Kiasma was the best known museum in Finland. My term as director began at a good juncture in that after our renovation we had already reached our 2015 target for visitor numbers by October. I hope to be able to keep up the public interest we gained with our reopening and maintain the good buzz and flow.

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