Kari Hotakainen
Humanist of the day

Kari Hotakainen

Kari Hotakainen has penned works of literary fiction, books for children and young people, poems, plays, columns, newspaper articles and advertising copy. The breadth of his writing ensures that something is produced every day. For Hotakainen, the readers are kings or queens, reading and experiencing the text in the manner they wish. The author’s task is simply to write well.

Kari Hotakainen

Kari Matti Hotakainen
Born January 9, Pori

Bachelor of arts 1980 (Finnish literature), University of Helsinki

Author 1995–
Copywriter 1986–1995, WSOY
Copywriter1985–1986, Mainonnantekijät
Journalist 1981–1985, STT

Awards:
Savonia literary prize 1993, for the book Buster Keaton – elämä ja teot (‘Buster Keaton – life and work’)
Tobelius literary prize 2000, for the work Näytän hyvältä ilman paitaa (‘I look good without a shirt’)
Finlandia Prize 2002 for the novel Juoksuhaudantie (‘Trench road’)
Nordic Council Literature Prize 2004, for the novel Juoksuhaudantie (‘Trench road’)
Nordic Drama Prize for the play Punahukka (‘Lupus’)
Prix Courrier International for best translated work of fiction 2011,for the novel Ihmisen osa (The Human Part)
Pro Finandia Medal 2013

Photo: Laura Malmivaara, Siltala
Written by Riitta-Ilona Hurmerinta
Translated by Matthew Billington

The pulse and murk of the big city were revealed to Kari Hotakainen in the autumn of 1976. In the summer he had taken the university entrance exam for Finnish literature and Romance philology and had been granted the right to major in both subjects. The move to Helsinki from a small municipality seemed to offer limitless opportunity.

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Kari Hotakainen has had the opportunity and the time to write a broad spectrum of texts. As writer, he has become an all-rounder. – I have always thought that I would write everything possible that came my way. I have written news reports and columns, advertising slogans, poetry and prose, plays and film scripts.

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According to the author Kari Hotakainen, fiction cannot be written to order, although he has been commissioned to do other forms of writing. If he wished, he could discuss the topic of his books with his publisher, Touko Siltala, but they have not been in the habit of so doing. – Siltala knows that I’ll go off to my cabin and come out two years later with a pile of text.

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A successful writer either enters or is forced into the limelight. In addition to bookshop podiums, after the publication of a new book comes a flood of interview requests. The media is often more interested in the author’s private life than in the book itself. For Kari Hotakainen this is a little difficult. For him the book, in its autonomy, is the most important thing: every reader reads and experiences it in their own way, and the writer’s persona or private life should be of no significance.

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