Hanna Nurminen
Humanist of the day

Hanna Nurminen

No doctoral dissertation, but a wealth of posts in art and culture. Hanna Nurminen, who entered the field by chance, has worked as a cultural secretary, producer of cultural events, and director for a residency programme for artists. She began at the Kone Foundation 35 years ago as a part-time assistant officer and is now chairman of the board.

Hanna Nurminen

Hanna Kirsti Nurminen
Born May 18, 1955, Helsinki

Master of Arts (Finnish Language), University of Helsinki

Director 2006-, Saari Residence
Farmwife 1982–2013
Assistant officer 1981–1982 and officer 1983–2013, Kone Foundation
Freelance cultural producer 1995–2006
Cultural secretary 1989–1995, municipality of Merimasku

Posts and expert tasks
Member of the Foundation for Finnish Peasant Culture 1988–
Board member of the Kone Foundation 1988–, Vice-chairman 1989–2001, Chairman 2002–
Member of the Arts Council of Southwest Finland 1998-2003 and 2007–2012, Vice-chairman 2007–2009, Chairman May 2002–2003 and 2010–2012
Board member of the Foundation of the Finnish Institute in Athens 2000–2005
Chairman of the KULMA project’s steering group and member of the KULMA team 2003–2005
Board member of The Council of Finnish Foundations 2003–2006
Member of the Arts Council of Finland 2007–2009
Board member of the Turku 2011 Foundation, 2007–2009

Awards
Antti prize for local newspapers, Rannikkoseutu
“Meri” cultural award of the Rymättylä and Merimasku Lions 2001
The Regional Council of Southwest Finland’s Aurora medal for cultural work to the benefit of Southwest Finland 2002
Recognition for cultural work from the Arts Council of Southwest Finland 2005
Merimasku Society’s annual prize 2009

Written by Hanna Nurminen
Translated by John Calton

I was just about to receive my MA when I married and moved to Southwest Finland to become a farmwife – a great shock for my friends and relatives in Helsinki. My doctoral dissertation on että-clauses (subordinate that- clauses) and participle structures seemed to be hardly progressing as I was the mother of two small girls.

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After matriculating, I had to think for a year before I dared begin studying Finnish, but after that, starting university felt wonderful. In the phonetics, morphology and syntax courses of my fresher year, it was thrilling become aware of the principles of language that had been completely unmentioned at school.

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I have just turned 60 and I don’t particularly dream, but perhaps I could wish for something. I would like to be able to lead the Kone Foundation in a direction that my successor could easily continue. The organisation should be light and flexible so that in the future those who will decide on the course of the Foundation’s activities will be able to do so free of burdensome structures.

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